GEM Camera Case for Panasonic Lumix DC-TZ95, DC-TZ97, DC-ZS80

Product Information

Utilizing the 0.21-inch 2,330k-dot equivalent Live View Finder (LVF) or the big 3.0-inch 1840k-dot static touch type control monitor, it is easy to frame every shot, even in bright, sunny conditions. The monitor tilts up to 180 degrees – perfect for selfies. Use the 22 digital filter options, which can also be applied to panoramic images, to complete your creativity. On such a small body with a touchscreen, one issue you encounter when using the viewfinder is that your nose can easily press the LCD and send the focusing point elsewhere. You can disable the Touch Pad AF feature to prevent this from happening, but then you also lose the luxury of using this feature to adjust the AF point with the touchscreen when you're looking through the viewfinder.

You can squeeze a lot of subjects into the core 24-20mm equivalent lens reach provided by Panasonic’s TZ95 travel zoom, which, given that the camera otherwise delivers a relatively modest (read ‘small’) sized sensor, remains its biggest boon/draw. The quality of images is however pretty good in most common lighting scenarios and certainly a cut above your compact digital cameras of old.Axis HYBRID O.I.S. +*/*5-Axis compensation works in video recording except for 4K video or high-speed video recording. Utilizing the 0.21-inch 2,330k-dot equivalent Live View Finder (LVF) or the big 3.0-inch 1040k-dot static touch type control monitor, it is easy to frame every shot, even in bright, sunny conditions. The monitor tilts up to 180 degrees – perfect for selfies. Use the 22 digital filter options, which can also be applied to panoramic images, to complete your creativity. Panasonic has improved the design of the Lumix DC-TZ95D digital camera with the development of the new Lumix DC-TZ95D. Designed with the classic compact size of the DC-TZ95 but now with an improved 20,3 MP MOS sensor and a 2.330K-dot live viewfinder and an improved 1800K dot screen resolution, allowing for enhanced clarity even in love light situations.

Approx. 90 min (rear monitor), 80 min (LVF)/FHD/60p, FHD/50p: Approx. 100 min (rear monitor), 90 min (LVF)using a shutter speed of 4 seconds at ISO 80. The camera takes the same amount of time again to apply noise FHD/50p: Approx. 50 min (rear monitor), 45 min (LVF)/FHD/50i: Approx. 50 min (rear monitor), 50 min (LVF) As with its TZ90 predecessor, with the ZS80 its manufacturer again puts the camera’s autofocus response time down as a swift 0.1 seconds. In practice, that means if we can visualize a potential image before squeezing its shutter release button then the ZS80 is liable to be able to capture it. The zoom lens is similarly swift to respond, traveling the extent of its focal range from maximum wide angle to extreme telephoto setting in 3-4 seconds. The lens’ gliding operation is accompanied by a commendably low mechanical buzz. The Panasonic Lumix TZ95's 30x zoom lens provides a very versatile focal length of 24-720mm in 35mm terms, as demonstrated below.

HD]1280x720 HD/30p (Sensor Output is 120fps)/[HD]1280x720 HD/25p (Sensor Output is 100fps)/[VGA]640x480 VGA/30p (Sensor Output is 240fps)/[VGA]640x480 VGA/25p (Sensor Output is 200fps) Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ mode only./0.6 - 5.6m (Wide / ISO Auto), 2.0 - 2.9m (Tele / ISO Auto) From the front of this Lumix then, with a size broadly similar to a jumbo box of matches, the aforementioned zoom lens dominates proceedings, offering up to that generous 720mm equivalent reach at the telephoto end. In operation it takes around 3-4 seconds for the lens to glide from maximum wideangle to extreme telephoto, accompanied by an unobtrusively low mechanical buzz. Although picture detail inevitably softens at maximum zoom, the results are still plenty sharp enough for it to prove a useful asset. It goes without saying that the camera is responsive enough to avoid your attention ever needing to wander from the subject itself, with an AF speed given of 0.1 seconds, allied to a maximum burst capture rate of 10fps in AF-S mode or 5fps in AF-C mode. Choices here include picture styles – switch from standard or natural to vivid or monochrome, for example – as well as being able to select the flash mode in use (with red eye reducing options provided alongside forced flash and slow shutter sync), select video quality, or choose image aspect ratio (from the standard 4:3 to medium format apeing 1:1).While the built-in flash here is welcome for when we absolutely must have extra illumination, unfortunately it’s been placed in a position at the top of the handgrip which means a stray finger will partially obscure it when it fires. On a more positive note, for sports or action photography fans wanting to make use of that zoom, the TZ95 is capable of a 10fps capture rate in AF-S mode or 5fps in AF-C mode. Versus Contrast, Sharpness, Noise Reduction, Saturation*, Color Tone**, Filter Effect**/*Except for Monochrome mode. **For Monochrome mode only. The biggest difference is that the ZS80 / TZ95 boasts a new electronic viewfinder with 2.3 million dots on its OLED panel, rather than the 1.13 million of the ZS70, which should help to deliver a slightly crisper image.